Testimonials:
From an editor: "Your Annabelle Selldorf profile is really first-rate journalism: so interesting and full of energy. You really caught her thoughtfulness. I loved the image of the two of you heading off into St James’s Park to see the pelicans and continue the interview. All such vivid stuff. Thank you for all you do to elevate the standards of what we publish."
From an editor: "I really enjoyed the piece you wrote recently for the Guardian, on Jeff Walls's intricate staged photos, and the excellent interview you did with Sosa Joseph last spring for Plaster magazine. You really have a gift for drawing out your subjects."
From a collaborator and academic: "Dale is an extraordinary artist and human being; she possesses a unique ability to think
via or through a medium or process whilst entirely maintaining her own fiercely personal voice and sensitivity of touch. She has a formidable ability to digest, synthesize and re-interpret complex ideas"
From a former professor: "I often read pieces by you in The Guardian. I always feel very impressed. And a little bit proud."
I contribute regularly to the Art Newspaper, the New York Times and the Guardian, with further bylines in the RA Magazine, Jewish Renaissance, the FT, the Times, Plaster, Elephant, the Quietus, the Economist and more. My beat is culture in general – and art in particular.
As an artist, my practice is multifaceted and plurilingual, combining drawing, sound, experimental writing, performance and walking. Most recently I created an installation for St Barnabas Dalston, London, Il y a longtemps que je t’aime, jamais je ne t'oublierai (2025), performed a reworked live version (with piano, voice and field recordings) of my 2007 album, The Horse Stories, at the Temple de Pentemont, Paris in June 2025, and composed new music for a compilation with Berlin-based collective Sair.
I have an MFA in Fine Art Media from the Slade School of Fine Art, UCL, an MA in History of Art and Archeology from Aix-Marseille University, for which I wrote a monographic study of the Polish sculptor Ludwika Ogorzelec's work and an MPhil in Art Philosophy for which I wrote 40,000 words on departures, constellations and ephemerides in art writing.
I'm on Substack:Untitled, 1974.