DALE BERNING SAWA
Journalist. Writer. Artist.
Untitled, 1974
Branches, baubles, jubilee clips, ratchet straps, wool, wire, brass sheet, fishing bells, 5000 x 2000 x 1500mm
Walk through a park on the morning after a storm and you’ll find the grass strewn with branches, scattered glyphs tracing out the imbalance of the night. Finding one always feels like a gift to me — something fallen from above, a manna of sorts and in shape, just as miraculous. Plane trees in particular shed exquisite lines. Sometimes they double back on themselves or execute knotted angular turns, but mostly, there’s this latent grace and outwardness in the way they extend, like a dancer doing Balanchine hands. They reach — reach — beyond their edges with as much softness as strength.



Music boxes, music box components, bells, marbles, metal children's games, pins, beads, buttons, musical toys, chimes, drums, pendants, a Castiotone 403, a harmonium, glass bracelets, nails





Chef's apron: fishing bells on clips, buttons, chimes, beads, pendants, safety pins, plastic wire, bells, charms;
Dress made in collaboration with designer Blandine Bardeau of scoobydoo wire with sound objects







Six-channel sound installation; two-person MFA degree show with Andrea Winkler
'Even the shadows are agitated, with a random hectic pulsing along the edges." Paul Auster
Rattling and rolling trebles, sharp and bright, close to your ears and inside your head. Vibrations you feel with your whole body. Layers and fragments, arrhythmic percussion, oscillators, mobile phone frequencies, voicemail and birdsong, digital skippings, fastforwarding, reversing, stutter and shuffle, broken phrases.


